David Mamet Teaches Dramatic Writing

David Mamet sat in on a poker game full of thieves and left with the inspiration for American Buffalo. Now, the Pulitzer Prize-winning writer of Glengarry Glen Ross takes you through his process for turning life’s strangest moments into dramatic art. He’ll teach you the rules of drama, the nuances of dialogue, and the skills to develop your own voice and create your masterpiece.

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LESSON PLAN

01

Introduction

David outlines what he’ll cowl on this class, and the simplest mindset you presumably can should study to write down good drama.

02

Goal of Drama

Making an attempt to know drama? Look no further than regularly life. David teaches you simple strategies to acknowledge drama at its biggest—when it seeks to simply entertain, not educate.

03

Goal of Drama (Cont’d)

Learn how drama options as a sort of fable, the strategies by which it enlightens the complexities of humanity, and the way in which it affords us with an outlet for expressing the issues that preoccupy us.

Current all 26 Courses

04

Dramatic Pointers

As a dramatist, your job is to tell a story. David teaches you simple strategies to keep up your story simple by using Aristotle’s Poetics as a data. Uncover methods to keep up your hero’s journey on the coronary coronary heart of your narrative.

05

Dramatic Pointers (Cont’d)

Start initially of your story and don’t stop until you attain the highest. Throw away one thing that isn’t plot. David teaches you what to cut out of your script and straightforward strategies to know the ideas of writing.

06

Story Ideas

David teaches you simple strategies to harness your fantasies and life experiences for drama. Seek for drama in areas the place you’d least anticipate it and uncover the inspiration behind a variety of of his performs.

07

Character

David teaches you what character truly is—movement. Uncover methods to create targets in your characters and avoid the defective methods typically taught.

08

Plot

Plot is paramount. Flip into conversant within the necessary substances of a plot identical to the precipitating event and the second-act downside. Uncover methods to find the plot hiding behind your scenes.

09

Structuring the Plot

David shares with you the methods he makes use of to building a plot and teaches you simple strategies to affix plot components.

10

Structuring the Plot (Cont’d)

Be taught the ins and outs of the development of a three-act play and straightforward strategies to acquire cohesion all through acts.

11

Case Look at: Structuring the Plot – American Buffalo

David discusses the historic previous of American Buffalo and delves into its plot, instructing you the symbolism of the eponymous coin and the way in which the narrative speaks to viewers on a deeply human stage.

12

Case Look at: Structuring the Plot – Glengarry Glen Ross

David shares the inspiration behind Glengarry Glen Ross and discusses the variations between drama and tragedy.

13

Dialogue

Learn how David developed his kind for writing dialogue, famously typically known as “Mamet-speak,” and the place to draw inspiration when attempting to write down down good dialogue.

14

Dialogue (Cont’d)

David talks about what informs and motivates dialogue, and straightforward strategies to acquire a musicality and rhythm in your character’s speech pattern.

15

Narration & Exposition

Writing drama is not the an identical as conveying information. A dramatist’s job is to entertain, not bore, the viewers. Uncover methods to acknowledge pointless narration and exposition and straightforward strategies to let the viewers make it simpler to decrease it out.

16

Scenes

Every scene ought to embrace three points. Be taught what these are and straightforward strategies to acknowledge and take away scenes which may be pointless to your script.

17

Writing Course of

David discusses how he begins writing, the environment by which he likes to write down down, how he affords with writer’s block, and the way in which he appears to Hemmingway for inspiration on simple strategies to start out writing.

18

Writing Course of (Cont’d)

David tells us that there isn’t a fairy mud that may restore your script and explains the easy distinction between him and an artist who spends his or her days merely dreaming about turning right into a writer.

19

The Viewers

Learn how David reveres his audiences, what they’re trying to find after they arrive to the theatre, and straightforward strategies to be taught from them.

20

Lies & Actuality

Your accountability as a writer: don’t lie. David discusses how the viewers entails the theatre to take heed to the truth and the way in which drama helps us search for the truth. He affords examples of conveying the truth from two of his most revered performs.

21

Lies & Actuality (Cont’d)

David continues talking regarding the actuality in two of his most controversial works: Oleanna and Race.

22

Actors

Be taught from David, inside the place of the theatre director, on how he views what makes a implausible actor and straightforward strategies to stable the right ones in your play.

23

Actors (Cont’d)

David tells us what he believes good actors must and shouldn’t do.

24

Lifetime of a Dramatist

The lifetime of a dramatist is frought with uncertainity, nonetheless dedication and fervour in path of your craft can lead you previous consciousness.

25

Lifetime of a Dramatist (Cont’d)

David experiences the self-doubt frequent amongst writers. Learn how he overcomes it and the one issue it’s best to avoid in order to forge a path in path of turning right into a writer.

26

Closing

David leaves you with parting phrases and an emotional story from thought of one in every of his favorite science fiction novels.

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